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Ken Aptekar

Says Me. Says You?

January 26 – March 2, 2024

Ken Aptekar
Ken Aptekar
Ken Aptekar The code to validate Visa purchase, 2021

Ken Aptekar
The code to validate Visa purchase, 2021
gouache, 22k goldleaf, in on Arches paper
22 1/2 x 22 1/2 inches
(Inv. No. KA9971)

Ken Aptekar Your UPS tracking #, 2021

Ken Aptekar
Your UPS tracking #, 2021
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10385)

Ken Aptekar Just so you know, I’m worried, 2023

Ken Aptekar
Just so you know, I’m worried, 2023
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10380)

Ken Aptekar I want to touch the world, 2021

Ken Aptekar
I want to touch the world, 2021
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10378)

Ken Aptekar RIP Saint Fiacre??, 2023

Ken Aptekar
RIP Saint Fiacre??, 2023
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10381)

Ken Aptekar
Ken Aptekar
Ken Aptekar Doctolib, lundi 25 septembre, 14h45, 2023

Ken Aptekar
Doctolib, lundi 25 septembre, 14h45, 2023
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10386)

Ken Aptekar Your Uber is on the way, 2023

Ken Aptekar
Your Uber is on the way, 2023
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10388)

Ken Aptekar Apple Software may be used, 2022

Ken Aptekar
Apple Software may be used, 2022
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10389)

Ken Aptekar Happy Birthday Al-Khidr!, 2022

Ken Aptekar
Happy Birthday Al-Khidr!, 2022
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10376)

Ken Aptekar
Ken Aptekar In the Soup (Stanley Miller), 2021

Ken Aptekar
In the Soup (Stanley Miller), 2021
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10379)

Ken Aptekar Came across a 600-year-old map, 2023

Ken Aptekar
Came across a 600-year-old map, 2023
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10382)

Ken Aptekar How could I not be awake now? 4:07AM, 2022

Ken Aptekar
How could I not be awake now? 4:07AM, 2022
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10377)

Ken Aptekar Lyoesh, why are you not answering?, 2022

Ken Aptekar
Lyoesh, why are you not answering?, 2022
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10383)

Ken Aptekar After you died, Dad, 2023

Ken Aptekar
After you died, Dad, 2023
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10387)

Ken Aptekar Help! Fly torture!, 2023

Ken Aptekar
Help! Fly torture!, 2023
gouache, ink 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10375)

Ken Aptekar Says who? Says me., 2023

Ken Aptekar
Says who? Says me., 2023
gouache, ink, 22 karat gold leaf on paper
22 1/2 x 22 1/2 inches
(57.2 x 57.2 cm)
(Inv. No. KA10384)

Press Release

Ken Aptekar

Says Me. Says you?

January 26 to March 2, 2024

Tibor de Nagy Gallery is pleased to present Ken Aptekar Says Me. Says You? This is the artist's first exhibition with the gallery.

This exhibition will present 16 works on paper inspired by medieval illuminated manuscripts. Enlisting social networking as a pictorial strategy, the artist brings illuminated manuscripts into the 21st century. Glowing screens on cellphones and tablets are the illuminated manuscripts of the digital age.

Aptekar began this series of works, at the onset of the global pandemic in 2020 while taking refuge in his house in Burgundy, France where numerous manuscripts were originally produced and are still housed in the region. As he and the world adjusted to new forms of living - isolation, increased screentime, and remote shopping, the artist found an affinity to an age when images and words converged into beautiful planes of color and writing. During lockdown, working with tiny brushes, calligraphy pens and gold leaf, Aptekar created his own scriptorium in a little village in the Morvan Forest. 

The artist has long used text and historical images in his work, however, with this new approach he conflates medieval with contemporary, and as he says, that he "stumbled into this rather neglected art form, my manuscripts reflected my intense desire to communicate something of our radically changed lives. Now I see how they allow me to give expression to melancholy subjects, political frustrations, and the lunacy of everyday life."

Born in Detroit in 1950, Ken Aptekar has shown his work in the US and internationally for over 45 years. He divides his time between New York and France. A major commissioned solo exhibition, Nachbarn (“Neighbors”), opened at the St. Annen Museum in Lübeck, Germany, in 2016. Previously, his work was seen in commissioned solo exhibitions at the Victoria & Albert Museum in collaboration with the Serpentine Gallery (London), Corcoran Museum (Washington, DC), Memorial Art Gallery (Rochester, NY), and the Mint Museum (Charlotte, NC). The exhibition Ken Aptekar: Painting Between the Lines, 1990-2000, organized by the Kemper Museum of Contemporary Art in Kansas City, completed its tour in 2002.


Aptekar is the recipient of two NEA Fellowships in Painting, a Mid-Atlantic Arts Foundation Award, a Rockefeller Bellagio Residency, Djerassi Resident Artist Program and Ucross residencies, and a Pollock-Krasner Award. Aptekar’s work is included in the collections of the Jewish Museum (NY), Victoria and Albert Museum (London), Kunsthalle St. Annen, (Lübeck, Germany), The Frost Museum (Miami, FL), Cleveland Museum of Art, National Museum of American Art, Kemper Museum of Contemporary Art (Kansas City, MO), Blanton Museum of Art (Austin, TX), Oregon Jewish Museum and Holocaust Study Center, Portland, OR, among other museums and public institutions.

Aptekar received his BFA at the University of Michigan, then moved to Brooklyn in 1973 to complete an MFA at Pratt Institute (1975).