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Colter Jacobsen

Airwaves for the Eye

September 10 – October 15, 2022

Colter Jacobsen
Colter Jacobsen found calligraphy exercise of a sentence using every letter of the alphabet, nd

Colter Jacobsen
found calligraphy exercise of a sentence using every letter of the alphabet, nd
ink on paper
17 x 13 1/2` inches
(Inv. No. 9853)

Colter Jacobsen Ear In, 2022

Colter Jacobsen
Ear In, 2022
watercolor on book cover
8 1/2 x 5 1/2 inches
(Inv. No. 9854)

Colter Jacobsen the ground (ecotones), 2021

Colter Jacobsen
the ground (ecotones), 2021
graphite on paper
14 x 17 inches
(Inv. No. 9855)

Colter Jacobsen Peace an accidental breathing space (Book), 2013

Colter Jacobsen
Peace an accidental breathing space (Book), 2013
magnifying glass, the sun, book covers and giclee negative 
12 x 16 inches
(Inv. No. 9856)

Colter Jacobsen Peace an accidental breathing space, 2013

Colter Jacobsen
Peace an accidental breathing space, 2013
magnifying glass, the sun, book covers and giclee negative print
14 x 22 inches
(Inv. No. 9857)

Colter Jacobsen comma, 2022

Colter Jacobsen
comma, 2022
silverpoint with acrylic medium on matte board
24 x 18 inches
(Inv. No. 9858)

Colter Jacobsen Sewing/Wing/Mess/Message/Sage/Age, 2020

Colter Jacobsen
Sewing/Wing/Mess/Message/Sage/Age, 2020
watercolor on found card stock
10 3/4 x 14 inches
(Inv. No. 9859)

Colter Jacobsen metamorphosis memory (after David Carinno), 2022

Colter Jacobsen
metamorphosis memory (after David Carinno), 2022
graphite on found paper
6 x 9 inches
(Inv. No. 9860)

Colter Jacobsen flap (for Kori Girard), 2022

Colter Jacobsen
flap (for Kori Girard), 2022
graphite on paper
15 x 13 1/2 inches
(Inv. No. 9861)

Colter Jacobsen Still Life Trash Bin Bouquet (from page 88 of All Souls by Javier Marias), 2021

Colter Jacobsen
Still Life Trash Bin Bouquet (from page 88 of All Souls by Javier Marias), 2021
watercolor on paper with found frame
11 1/4 x 10 inches
(Inv. No. 9862)

Colter Jacobsen BEGIN BEING (oak gall), 2021

Colter Jacobsen
BEGIN BEING (oak gall), 2021
oak gall ink on paper
2 1/2 x 2 inches
(Inv. No. 9863)

Colter Jacobsen
Colter Jacobsen field recording (from Alan Lomax's blank Rolodex), 2019 - ongoing

Colter Jacobsen
field recording (from Alan Lomax's blank Rolodex), 2019 - ongoing
37 separate watercolors on Rolodex cards
5 x 3 inches (each), 23 x 35 inches (overall)
(Inv. No. 9865)

Colter Jacobsen ON TRADING TIME, 2022

Colter Jacobsen
ON TRADING TIME, 2022
watercolor on wood
1 1/2 x 14 3/4 inches
(Inv. No. 9866)

Colter Jacobsen "to build that question as a house" The Only Place by Big Thief (or the Question Tree, for Cajal), 2022

Colter Jacobsen
"to build that question as a house" The Only Place by Big Thief (or the Question Tree, for Cajal), 2022
watercolor on found matte board
33 1/2 x 27 1/2 inches
(Inv. No. 9867)

Colter Jacobsen End Pages for a Novel (Thought Waves & w/o Thought Waves), 2022

Colter Jacobsen
End Pages for a Novel (Thought Waves & w/o Thought Waves), 2022
colored pencil on found paper
11 x 8 1/2 inches
(Inv. No. 9868)

Colter Jacobsen End Pages for a Novel (Wave Fathom), 2022

Colter Jacobsen
End Pages for a Novel (Wave Fathom), 2022
colored pencil on found paper
11 x 8 1/2 inches
(Inv. No. 9869)

Colter Jacobsen Untitled, 2022

Colter Jacobsen
Untitled, 2022
sun-marked envelope with watercolor
6 x 9 inches
(Inv. No. 9870)

Colter Jacobsen
Colter Jacobsen
Colter Jacobsen WEAVE WAVE WE W V, 2022

Colter Jacobsen
WEAVE WAVE WE W V, 2022
watercolor on four found envelopes
11 1/2 x 14 1/2 inches
(Inv. No. 9871)

Colter Jacobsen WAND AND WEND AND WIND AND, 2020

Colter Jacobsen
WAND AND WEND AND WIND AND, 2020
oak gall ink on paper
11 x 7 inches
(Inv. No. 9872)

Colter Jacobsen passing fathom, 2022

Colter Jacobsen
passing fathom, 2022
watercolor on paper
13 x 19 inches
(Inv. No. 9873)

Colter Jacobsen WAVE THOUGHT, 2022

Colter Jacobsen
WAVE THOUGHT, 2022
watercolor on found paper
4 3/4 x 7 inches
(Inv. No. 9874)

Colter Jacobsen SeeSlevelSeeS (air bubble), 2021

Colter Jacobsen
SeeSlevelSeeS (air bubble), 2021
acrylic on antique level
17 3/4 x 2 1/4 x 1 inches
(Inv. No. 9876)

Colter Jacobsen SeeSlevelSeeS, 2020

Colter Jacobsen
SeeSlevelSeeS, 2020
Acrylic on canvas
17 x 22 1/4 inches
(Inv. No. 9875)

Colter Jacobsen WEAVE, WAVE, WE, W, V (for Theresa Hk Kyung Cha), 2022

Colter Jacobsen
WEAVE, WAVE, WE, W, V (for Theresa Hk Kyung Cha), 2022
watercolor on paper
4 x 5 1/4 inches
(Inv. No. 9878)

 

Colter Jacobsen
Paper Wasp (Puzzle), 2020
wasp paper on card stock
5 3/4 x 3 3/4 inches
(Inv. No. 9879)

 

Colter Jacobsen envelope (for Rosie Lee Tompkins), 2022

Colter Jacobsen
envelope (for Rosie Lee Tompkins), 2022
watercolor on envelope
3 5/8 x 7 1/4 inches
(Inv. No. 9877)

Colter Jacobsen Manzanita for Jess (from Alpha to Omega or the quick brown fox), 2022

Colter Jacobsen
Manzanita for Jess (from Alpha to Omega or the quick brown fox), 2022
oil on canvas with a frame made by Jess Collins
17  3/8 x 19 1/2 inches
(Inv. No. 9880)

Colter Jacobsen folk songs (for Jason Morris), 2020

Colter Jacobsen
folk songs (for Jason Morris), 2020
graphite on paper
17 x 14 inches
(Inv. No. 9881)

Press Release

On my return from travel, I was roused to a consideration of subjects which I had previously never dreamed of, or thought about, connected with self; and I had such ideas that, had I spoken of them openly, I must, if answered in the world’s fashion, have been told I was unreasonable.

--Richard Dadd

Colter Jacobsen’s recent work overlays mind and matter, imagination and nature, simile and substance. The interrogative is his central theme. We see it not only in the form of a question mark that rhymes--here with a bent over tree, there with the shape of an ear--but also in the underlying slipperiness of his images and forms. We are left, time after time, with the question, “What is it?” The closer we look, the less obvious the answer becomes. What we thought was a leafless oak appears, on closer inspection to be no more than a random arrangement of lines, based on the material of the paper itself and which resemble nothing so much as the squiggly patterns that float across the inside of your lids when you shut your eyes and squeeze. The curlicue branch of a manzanita tree, curiously forming the shape of an ear, is remarkable enough until you see the quick brown fox hidden between its folds. There is a small painting that we might be inclined to call “abstract”—only for lack of words to describe what it is. Even as Jacobsen reaches out a finger to brush the electric surface of the real, his imagery often remains rooted in the domestic and nearby. The trees grow at his Mendocino home, his memory drawing of a plantlike fossil is based on a stone he found in a nearby stream.

Jacobsen’s art holds a network of associations. Not only within and across his own works--images finding images, echoing and amplifying in strange harmonics--but also to the broader culture. His painting of the twisted manzanita branch was made to fit in a specific frame carved by the artist Jess which, with its sinuous, art nouveau curves, effortlessly called forth Jacobsen’s Ovidian wonderworld. The large oak tree, with branches spread like ganglia was inspired by the work of the Spanish neuroscientist Santiago Ramón y Cajal, especially his astonishing drawings of the cells of the brain. Other works converse with the poets Bernadette Mayer, Jason Morris, and Ulalume González de León; artists Kori Girard and Theresa Hak Kyung Cha, the band Big Thief; essayist David George Haskell; and jazz musician Don Cherry.

Jacobsen loves puzzles—because we live in one it seems—and so he creates mirror images, double-entendres, palindromes, pareidolia, and puns. He unlocks the words within words, resurrecting the residues of etymology and sound. The title Jacobsen chose for the exhibition, Airwaves for the Eye, derives from a Don Cherry song, Moving Pictures for the Ear, and holds the kind of generative contradiction embodied in his art. There is, too, an homage in the title to both Jack Spicer, whose poems came to him on radio waves from the stars and to the anthropologist and polymath, Jaime de Angulo who included the line, “Singing with my antenna,” in his poem For You. Airwaves for the Eye captures succinctly the focus and slippage that comes with all of Jacobsen’s works. Sensation yes, but with signals crossed. And on channels that are invisible until we give them our undivided, unfocused attention.

                                                                                                                                                  -- Lawrence Rinder

Colter Jacobsen lives in Ukiah and Surprise Valley, California. He publishes the Ukiah Haiku Review and DJs for the show Nomadic Nightcap on KZYX. He is currently writing a novel about a leaf-blower operator and the wobble of the Earth. When not making art, you'll find him walking two dogs, not walking four cats, collecting eggs from 6 chickens and petting 60,000 bees. In addition to Tibor de Nagy, Jacobsen is represented by Corvi-Mora, London and Anglim/Trimble, San Francisco and is currently showing work in two group shows - Some Kind of Mind Thing at Off Paradise in NYC and Nature/Landscape at Studio 540 in Cedarville, California.

Lawrence Rinder is a writer and curator living in Ukiah and Cedarville, California. In his spare time, he does pro bono work for the DNC and Deep Springs College. He enjoys serving on the boards of Kadist and Creativity Explored.